Endoki Forest is an American dungeon synth and dark ambient project founded in 1995 in New York, USA.
It belongs to the first wave of U.S. dungeon synth, emerging during the same era as early Mortiisāinfluenced projects but developing a distinctly cold, pagan, and atmospheric identity.
The project is shrouded in obscurity:
This anonymity has contributed to Endoki Forest’s cult status among collectors of early dungeon synth.
DungeonāCodex lists the project’s themes as Evil, Paganism, Nature, and confirms its inactive status. dungeon-codex.com
Endoki Forest’s sound is defined by:
The atmosphere evokes:
The project’s aesthetic is closer to:
Format: Cassette, singleāsided
Label: Black Sorcerers Records
Length: 29:39
Genre: OldāSchool Dungeon Synth / Atmospheric Dark Ambient
Country: USA
Discogs
This is the foundational and defining release of Endoki Forest.
The demo consists of long, icy synth passages divided into six movements (IāVI), creating a continuous, frostābitten atmosphere.
The YouTube archival upload confirms the tracklist and the raw, hypnotic character of the recording. YouTube
This demo is widely regarded as:
Format: Digital
Genre: Dungeon Synth
Listed on: RateYourMusic
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A later, extremely obscure release appearing nearly two decades after the original demo.
It maintains the project’s cold, minimal, pagan atmosphere, though little is known about its recording or distribution.
The 1995 demo tape includes a 1996 rehearsal appended to some circulating versions, featuring two “Advance” tracks.
These appear in the YouTube archival upload and are considered part of the project’s early developmental phase. YouTube
Endoki Forest stands out for:
One of the earliest U.S. projects to adopt a Nordic pagan thematic identity.
The 1995 demo is a perfect example of tapeāera dungeon synth minimalism.
With only two known releases and no public presence, Endoki Forest remains a deepāarchive project known mostly to collectors and historians of the genre.
Endoki Forest is respected for:
An Evil of Nordic Frost is frequently cited as a hidden gem of the first dungeonāsynth wave, preserved today through archival uploads and Discogs collectors.