Khaöz is one of the darker, more esoteric presences in the Polish underground—a band rooted in GrudziÄ…dz and shaped by a lineage of musicians who have long moved through the country’s black‑ and death‑metal circles. Their sound sits at the intersection of melodic black metal and melodic death metal, but with a distinctly occult edge: riffs sharpened by chaos‑theory dissonance, atmospheres steeped in gnosis, and a sense of ritualistic tension that runs through every release.
They are not a prolific band, but the material they have produced carries the unmistakable mark of musicians who know exactly what they want to express: shadow, revelation, and the violent clarity of metaphysical rupture.
Darek – drums
Formerly of Waterfall, he provides the rhythmic backbone—tight, aggressive, and steeped in classic Polish black/death sensibility.
Marcin – guitars
Known from Maze of Feelings, ex‑Waterfall, and Swoon to Death. His guitar work is the band’s melodic spine: sharp, expressive, and rooted in the darker side of melodic death metal.
Adam – guitars
Also ex‑Waterfall and Swoon to Death. His presence gives Khaöz a dual‑guitar architecture that allows for harmonized leads, layered tremolo lines, and a sense of controlled chaos.
Sabesthor – bass
A veteran of Kingdom and numerous other underground acts. His departure removed a significant part of the band’s early low‑end weight.
Bahl’al – vocals (?-2023)
A prolific figure in the Polish underground (Goatmancy, Madrigal, Muirthemne, Cult ov Black Blood, and more).
His death in 2023 marked a major rupture in the band’s trajectory. His vocal presence—ritualistic, venomous, and steeped in occult intensity—defined the early Khaöz sound.
The band’s first public manifestation.
Raw, aggressive, and steeped in melodic black/death structures.
Hints of their thematic focus—gnosis, chaos, metaphysical rupture—are already present.
A darker, more atmospheric release.
The title track leans into occult black metal, with a sense of looming dread and ritualistic cadence.
The “Outro” serves as a meditative descent into shadow.
A more complete exploration of the themes introduced in the single.
The sound becomes:
This release stands as the clearest expression of Khaöz’s identity so far: a band balancing melody with occult atmosphere, aggression with metaphysical tension.
Khaöz’s music is shaped by:
Their sound is neither purely black metal nor purely death metal—it is a hybrid forged in the Polish underground tradition, where melody serves not as beauty but as a blade.
Despite limited output, Khaöz has carved out a distinct niche:
Signed to Rex Diaboli, they remain a shadowed but compelling presence—one of those bands whose music feels like a coded message, a ritual, or a fragment of forbidden knowledge whispered through distortion.
| Current | |
| Darek | Drums |
| See also: ex-Waterfall | |
| Marcin | Guitars |
| See also:Â Maze of Feelings, ex-Waterfall, Swoon to Death | |
| Adam | Guitars |
| See also: ex-Waterfall, Swoon to Death | |
| Past | |
| Sabesthor | Bass |
| See also:Â Kingdom, ex-Dehumanized, ex-My Infinite Kingdom, ex-Selossed, ex-North, ex-Riese, ex-Grom | |
| Bahl'al | Vocals (?-2023) |
| (R.I.P. 2023) See also: ex-Goatmancy, ex-Madrigal, ex-Muirthemne, ex-Sevenfold Blessing, ex-Cult ov Black Blood, ex-Taniec Kruka | |
| Adv. Demo | Demo | 2022 | Â |
| The Great Shadow​/​Outro | Single | 2023 |  |
| The Messenger (The Great Shadow) | Demo | 2023 |